Those of you who listen to ABC Classic FM in the mornings will likely have heard last week’s feature album The Good, The Bad and the Awkward, by Melbourne-based composer and pianist Sally Whitwell. If not, I highly recommend you have a listen on iTunes.
This is an album unlike any other solo piano album from the last decade. Refreshingly, it isn’t about the big works of Beethoven, Mozart, Chopin, Liszt that we hear all the time. Nor is it about flashy pianistic pyrotechnics; indeed, Sally plays pieces that are in the technical realm of most amateur pianists.
Put simply, this album explores all those great new piano pieces (written for films – hence the title) that aren’t normally performed as a solo works. There are a couple of romantic classics (Debussy’s Claire de Lune, Schubert’s G flat major Impromptu), but otherwise it’s based around Yann Tiersen’s fabulous score from the movie Amelie with a number of extra film tracks thrown in. Why hasn’t anyone done this before?
Here’s the track listing:
1 ROTA Gelsomina LA STRADA
3 SATIE Gnossienne No. 1 THE PAINTED VEIL
7 BADALAMENTI L’Exécution THE CITY OF LOST CHILDREN
12 D’ALESSIO Title Music DELICATESSEN
I particularly liked Yared’s track from Betty Blue – a kind of interrupted jazz waltz. It’s now definitely on my list of must-learn recital pieces!
Sally’s other albums include works by Philip Glass and Michael Nyman (she must like the minimalists!) and she has a wealth of other recordings, compositions and appearances to her name. Check out her website. She also has a number of recordings on her SoundCloud.
The Brisbane Powerhouse
Friday 20 July, 2012
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